Black Wave (Audible Audio Edition) Michelle Tea Inc Blackstone Audio Books
Download As PDF : Black Wave (Audible Audio Edition) Michelle Tea Inc Blackstone Audio Books
Desperate to quell her addiction to drugs, disastrous romance, and '90s San Francisco, Michelle heads south for LA. But soon it's officially announced that the world will end in one year, and life in the sprawling metropolis becomes increasingly weird.
While living in an abandoned bookstore, dating Matt Dillon, and keeping an eye on the encroaching apocalypse, Michelle begins a new novel, a sprawling and metatextual exploration to complement her promises of maturity and responsibility. But as she tries to make queer love and art without succumbing to self-destructive vice, the boundaries between storytelling and everyday living begin to blur, and Michelle wonders how much she'll have to compromise her artistic process if she's going to properly ride out doomsday.
Black Wave (Audible Audio Edition) Michelle Tea Inc Blackstone Audio Books
Black Wave is a masterpiece. A free-wheeling, dystopian chronicle of recovery, books and working in bookstores, sex with Matt Dillon, LA, gay teens, and the end of the world. Yes, we get some of the same wonderful descriptions of queer misfits and mayhem we’ve come to expect from Michelle (the fact that there are now Michelle Tea imitators out there is indeed a sincere form of flattery—before her lesbian fiction was surely less colorful, less hip, less outlandish, less sad and hilarious at the same time, less wise). But don’t go thinking you’ve got this all stereotyped as a queer novel. Black Wave goes deep into the into the dark night of our collective soul. In sneaky Michelle Tea fashion, getting sober as the planet burns becomes one last defying act, a plea for life amid the ashes, and doesn’t something about that ring all too prophetic at this moment in time? Read this book for solace or for its pure pleasure, but don’t expect it to go off quietly once it gets into your head.Product details
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Black Wave (Audible Audio Edition) Michelle Tea Inc Blackstone Audio Books Reviews
just beautiful
This was such a unique and beautifully (uniquely so) written book. At first I was annoyed at the subject matter around a bunch of drug-taking waste-os, but it was a recovery story planted in a ferocious big beautiful story of the end-of the world. And the writing is so honest and original and beautiful and the distopian-ness so hopeful and gorgeous---I was loving it by the end.
I love Michelle Tea, and I love this book. What a trippy way to describe hitting bottom. This story is part memoir (like most of her work) and part dystopian future/end of the world/dream state....indescribable, really. I wasn't sure I'd like it, because I'm so fond of Tea's straight-up memoir style, but she definitely comes through with her usual cast of queer outcasts, drunken, drug-fueled relationship drama, and San Francisco 90s Riot Grrrl nostalgia. The L.A. last third of the book is where it gets really weird. I literally felt like I was experiencing a dream, reading through Tea's character drinking herself into oblivion while the world ends around her. The dream states and online hook-ups felt real, like that would be exactly how it would be to live in that place, at that time. I can't recommend this book enough. Maybe I'm biased, because Tea's and my life have mirrored each other's so closely, but I think anyone will find it a good way to spend your time.
perfect condition and a good read
I waited and waited and waited for this book to come out and of course as expected, it was perfect. True to Michelle's dirty queer punk form it was magical and weird and great. I can never get enough of her writing.
One of the most provocative, hilarious, and engaging books I've read this year. Tea situates our current crisis retroactively in the '90s, making visible the environmental/political crisis that we only now can fully see. So smart, funny, and distressing! A beach read for our era of closed, contaminated beaches.
This well-written novel has several literary themes. It’s about the plight of the working poor; what it’s like to live on the “fringe” of society as a “queer” (lesbian) who’s addicted to drugs, alcohol and sex; the writer’s journey and the process of storytelling; and why it’s important to take care of, and be kind to, Mother Earth.
This novel is like three books in one. Set in the Mission district of San Francisco, the first third of the novel reads like a juicy tell-all. When we first meet Michelle, she is a drug-addicted lesbian writer, a femme who wears lingerie as clothing and cheats on her devoted girlfriend, Andy. Michelle earns minimum wage working at a bookstore. She is so poor, she eats naked pasta with a blob of butter on it for a meal. She kills roaches with her bare hands. She finds her furniture on the street and lives in a dilapidated old house with eight roommates.
When she starts doing heroin, she feels her life is about to spiral out of control and decides she will move to Los Angeles and start a new life. She does, and that’s the second part of the book. This is where Michelle makes her growth journey. Although she does stop doing drugs, she doubles down on the drinking. She knows she has a problem but cannot stop doing it. So the first two-thirds of the book read more like a memoir. The last part of the book takes a mythical turn, offering a dystopian view of the future of our planet. It’s part fantasy, part dire warning.
When I’m done reading a book, I thumb through it to see how many pages I dog-eared or where I underlined any passages. The number of dog-eared pages tells me how good a book it was. This book had a lot of dog-eared pages, and they were spread throughout the book (not just in one or two sections). Meaning, there are many nuggets of pithy wisdom in these pages.
Example “How did Michelle want to spend the next 12 months? She hated questions like that. She hated having to have a plan, ever. She knew that any plan she came up with would be a little pathetic. She’d rather keep it open, invite the randomness of the universe to toy with her. I’ll See Where Life Takes Me, she said airily.”
The only thing I didn’t get was, why was the book set in the 1990s? It seems like it would have been more believable had it been set in the future rather than the past since we know the world didn’t come to an end in the 1990s. There were a couple of time-period inconsistencies, too, such as Michelle’s surfing the internet and taking a picture with her phone’s camera. But these are trivialities.
Overall, I recommend this book as entertaining and timely, alternately touching and teaching the reader in subtle ways.
Black Wave is a masterpiece. A free-wheeling, dystopian chronicle of recovery, books and working in bookstores, sex with Matt Dillon, LA, gay teens, and the end of the world. Yes, we get some of the same wonderful descriptions of queer misfits and mayhem we’ve come to expect from Michelle (the fact that there are now Michelle Tea imitators out there is indeed a sincere form of flattery—before her lesbian fiction was surely less colorful, less hip, less outlandish, less sad and hilarious at the same time, less wise). But don’t go thinking you’ve got this all stereotyped as a queer novel. Black Wave goes deep into the into the dark night of our collective soul. In sneaky Michelle Tea fashion, getting sober as the planet burns becomes one last defying act, a plea for life amid the ashes, and doesn’t something about that ring all too prophetic at this moment in time? Read this book for solace or for its pure pleasure, but don’t expect it to go off quietly once it gets into your head.
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